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Tsippi Fleischer: Innovated Classics (קלאסיקות מתחדשות)

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Discography

Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 1, Piece of Earth Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 1, Piece of Earth

Tsippi Fleischer, Fu'ad Rifka, Sasson Somekh, Members of the Moravian Philharmonic Orchestra, Peter Vronsky

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Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 2, Eyelids Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 2, Eyelids

Tsippi Fleischer, Sasson Somekh, Members of the Moravian Philharmonic Orchestra, Peter Vronsky, Shawki Abi-Shakra

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Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 3, The Coffin with Its Lid Remote Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 3, The Coffin with Its Lid Remote

Tsippi Fleischer, Sasson Somekh, Members of the Moravian Philharmonic Orchestra, Peter Vronsky, Muhammad al-Maghut

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Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 4, Girl-Butterfly-Girl Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 4, Girl-Butterfly-Girl

Tsippi Fleischer, Sasson Somekh, Members of the Moravian Philharmonic Orchestra, Peter Vronsky, Unsi al-Hajj

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Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 1, Introduction; Your Swiftly-Saddled Horse Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 1, Introduction; Your Swiftly-Saddled Horse

Tsippi Fleischer, Al-Khansa (6th century), Naked Voices, Tamir Chasson, Yoav Weiss, Oded Hadar, Yuval Shapira, Ziv Stein

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Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 2, Refrain (b); You Appease the Thirsty Spear Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 2, Refrain (b); You Appease the Thirsty Spear

Tsippi Fleischer, Al-Khansa (6th century), Naked Voices, Tamir Chasson, Yoav Weiss, Oded Hadar, Yuval Shapira, Ziv Stein

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Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 3, Ballet Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 3, Ballet

Tsippi Fleischer, Al-Khansa (6th century), Naked Voices, Tamir Chasson, Yoav Weiss, Oded Hadar, Yuval Shapira, Ziv Stein

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Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 4, Refrain (c); He Found Rest Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 4, Refrain (c); He Found Rest

Tsippi Fleischer, Al-Khansa (6th century), Naked Voices, Tamir Chasson, Yoav Weiss, Oded Hadar, Yuval Shapira, Ziv Stein

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Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 5, Every Morning at Sunrise Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 5, Every Morning at Sunrise

Tsippi Fleischer, Al-Khansa (6th century), Naked Voices, Tamir Chasson, Yoav Weiss, Oded Hadar, Yuval Shapira, Ziv Stein

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Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 6, Refrain (d); I Shall Weep for you Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 6, Refrain (d); I Shall Weep for you

Tsippi Fleischer, Al-Khansa (6th century), Naked Voices, Tamir Chasson, Yoav Weiss, Oded Hadar, Yuval Shapira, Ziv Stein

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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 1, First methodological unit: Solo Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 1, First methodological unit: Solo

Tsippi Fleischer

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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 2, Second methodological unit: Special unison Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 2, Second methodological unit: Special unison

Tsippi Fleischer

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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes

Tsippi Fleischer

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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir

Tsippi Fleischer

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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance

Tsippi Fleischer

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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in octaves Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in octaves

Tsippi Fleischer

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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds

Tsippi Fleischer

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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1. Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (a) Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1. Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (a)

Tsippi Fleischer

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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b) Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b)

Tsippi Fleischer

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Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic

Tsippi Fleischer

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Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 1, Piece of Earth Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 1, Piece of Earth

Moravian Philharmonic Orchestra, Tsippi Fleischer, Fu'ad Rifka, Peter Vronsky, Yael Levita

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Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 2, Eyelids Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 2, Eyelids

Moravian Philharmonic Orchestra, Tsippi Fleischer, Peter Vronsky, Shawki Abi-Shakra, Yael Levita

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Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 3, The Coffin with Its Lid Remote Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 3, The Coffin with Its Lid Remote

Moravian Philharmonic Orchestra, Tsippi Fleischer, Peter Vronsky, Muhammad al-Maghut, Yael Levita

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Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 4, Girl-Butterfly-Girl Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 4, Girl-Butterfly-Girl

Moravian Philharmonic Orchestra, Tsippi Fleischer, Peter Vronsky, Unsi al-Hajj, Yael Levita

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Song No. 3 from 'Girl Butterfly Girl' for voice & piano, sung in German: 'Der Sarg mit entferntem Deckel' ('The Coffin with Its Lid Remote') Song No. 3 from 'Girl Butterfly Girl' for voice & piano, sung in German: 'Der Sarg mit entferntem Deckel' ('The Coffin with Its Lid Remote')

Tsippi Fleischer, Muhammad al-Maghut, Christine Bohnenkamp

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