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Secular Songs & Dances from the Middle Ages

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Discography

Ich was ein chint so wolgetan, CB 185 Ich was ein chint so wolgetan, CB 185

Anonymous, Modo Antiquo, Bettina Hoffmann

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Axe Phebus aureo, CB 71 Axe Phebus aureo, CB 71

Anonymous, Modo Antiquo, Bettina Hoffmann

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Bache bene venies, CB 200 Bache bene venies, CB 200

Anonymous, Modo Antiquo, Bettina Hoffmann

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Dulce solum, CB 119 Dulce solum, CB 119

Anonymous, Modo Antiquo, Bettina Hoffmann

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In taberna quando sumus, CB 196 In taberna quando sumus, CB 196

Anonymous, Modo Antiquo, Bettina Hoffmann

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Veris dulcis in tempore, CB 85 e 159 Veris dulcis in tempore, CB 85 e 159

Anonymous, Modo Antiquo, Bettina Hoffmann

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Alte clamat Epicurus, CB 211 e 211° Alte clamat Epicurus, CB 211 e 211°

Anonymous, Modo Antiquo, Bettina Hoffmann

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Exiit dilucolo rustica puella, CB 90 Exiit dilucolo rustica puella, CB 90

Anonymous, Modo Antiquo, Bettina Hoffmann

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Olim sudor Herculis, CB 63 Olim sudor Herculis, CB 63

Anonymous, Modo Antiquo, Bettina Hoffmann

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Virent prata hiemata, CB 151 Virent prata hiemata, CB 151

Anonymous, Modo Antiquo, Bettina Hoffmann

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Sic mea fata, CB 116 Sic mea fata, CB 116

Anonymous, Modo Antiquo, Bettina Hoffmann

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Walthers ton (da CB 211) Walthers ton (da CB 211)

Anonymous, Modo Antiquo, Bettina Hoffmann

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Tempus transit gelidum, CB 153 Tempus transit gelidum, CB 153

Anonymous, Modo Antiquo, Bettina Hoffmann

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Bonus est confidere, CB 27 Bonus est confidere, CB 27

Anonymous, Modo Antiquo, Bettina Hoffmann

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nomen a sollempnibus, CB 52 nomen a sollempnibus, CB 52

Anonymous, Modo Antiquo, Bettina Hoffmann

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Dic Christi veritas , Bulla fulminante, CB 131, 131 Dic Christi veritas , Bulla fulminante, CB 131, 131

Anonymous, Modo Antiquo, Bettina Hoffmann

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O varium fortune lubricum, CB 14 O varium fortune lubricum, CB 14

Anonymous, Modo Antiquo, Bettina Hoffmann

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Fas et nefas, CB 19 Fas et nefas, CB 19

Anonymous, Modo Antiquo, Bettina Hoffmann

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Veritas veritatum, CB 21 Veritas veritatum, CB 21

Anonymous, Modo Antiquo, Bettina Hoffmann

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Currit ad vocem, CB 47a Currit ad vocem, CB 47a

Anonymous, Modo Antiquo, Bettina Hoffmann

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Crucifigat omnes, CB 47 Crucifigat omnes, CB 47

Anonymous, Modo Antiquo, Bettina Hoffmann

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Procurans odium, CB 12 Procurans odium, CB 12

Anonymous, Modo Antiquo, Bettina Hoffmann

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Ave nobilis, CB 11 Ave nobilis, CB 11

Anonymous, Modo Antiquo, Bettina Hoffmann

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Ecce torpet probitas, CB 3 Ecce torpet probitas, CB 3

Anonymous, Modo Antiquo, Bettina Hoffmann

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Planctus ante nescia, CB 14 Planctus ante nescia, CB 14

Anonymous, Modo Antiquo, Bettina Hoffmann

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Licet ager cum egrotis, CB 8 Licet ager cum egrotis, CB 8

Anonymous, Modo Antiquo, Bettina Hoffmann

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Celum Non animum, CB 15 Celum Non animum, CB 15

Anonymous, Modo Antiquo, Bettina Hoffmann

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I. Appellatio: Crucifigat omnes (Carmina Burana 47) I. Appellatio: Crucifigat omnes (Carmina Burana 47)

Anonymous, Modo Antiquo, Bettina Hoffmann

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I. Appellatio: Seignor, sachiez qui or ne s'en ira (Thibaut de Champagne) I. Appellatio: Seignor, sachiez qui or ne s'en ira (Thibaut de Champagne)

Anonymous, Modo Antiquo, Bettina Hoffmann

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I. Appellatio: La Quinte Estampie Real (Anon.) I. Appellatio: La Quinte Estampie Real (Anon.)

Anonymous, Modo Antiquo, Bettina Hoffmann

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I. Appellatio: Parti de mal et a bien atourné (Anon.) I. Appellatio: Parti de mal et a bien atourné (Anon.)

Anonymous, Modo Antiquo, Bettina Hoffmann

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I. Appellatio: Chevalier mult estes guariz (Anon.) I. Appellatio: Chevalier mult estes guariz (Anon.)

Anonymous, Modo Antiquo, Bettina Hoffmann

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I. Appellatio: De transfretantibus (Anon.) I. Appellatio: De transfretantibus (Anon.)

Anonymous, Modo Antiquo, Bettina Hoffmann

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I. Appellatio: Au tans plain de felonie (Thibaut de Champagne) I. Appellatio: Au tans plain de felonie (Thibaut de Champagne)

Anonymous, Modo Antiquo, Bettina Hoffmann

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II. Dure Departie: La Seconde Estampie Royal (Anon.) II. Dure Departie: La Seconde Estampie Royal (Anon.)

Anonymous, Modo Antiquo, Bettina Hoffmann

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II. Dure Departie: Tr. 9 à 7'21 II. Dure Departie: Tr. 9 à 7'21

Anonymous, Modo Antiquo, Bettina Hoffmann

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II. Dure Departie: Dame, ensinc est qu'il m'en covient aler (Thibaut de Champagne) II. Dure Departie: Dame, ensinc est qu'il m'en covient aler (Thibaut de Champagne)

Anonymous, Modo Antiquo, Bettina Hoffmann

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II. Dure Departie: A vous, Amors, plus qu'a nule autre gent (Le Chastelain de Couci) II. Dure Departie: A vous, Amors, plus qu'a nule autre gent (Le Chastelain de Couci)

Anonymous, Modo Antiquo, Bettina Hoffmann

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II. Dure Departie: Li departirs de la douce contree (Chardon de Croisilles de Reims) II. Dure Departie: Li departirs de la douce contree (Chardon de Croisilles de Reims)

Anonymous, Modo Antiquo, Bettina Hoffmann

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II. Dure Departie: Li nouveax temps et maiz et violete (Le Chastelain de Couci) II. Dure Departie: Li nouveax temps et maiz et violete (Le Chastelain de Couci)

Anonymous, Modo Antiquo, Bettina Hoffmann

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II. Dure Departie: Aler m'estuet la ou je trerai paine (Gilles le Vinier? - le Chastelain d'Arras ?) II. Dure Departie: Aler m'estuet la ou je trerai paine (Gilles le Vinier? - le Chastelain d'Arras ?)

Anonymous, Modo Antiquo, Bettina Hoffmann

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III. Passagium Laboriosum: Ja nuns hons pris (Roy Richart, «Richard Hearthlion»), Part I. III. Passagium Laboriosum: Ja nuns hons pris (Roy Richart, «Richard Hearthlion»), Part I.

Anonymous, Modo Antiquo, Bettina Hoffmann

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III. Passagium Laboriosum: Ja nuns hons pris (Roy Richart, «Richard Hearthlion»), Part II. III. Passagium Laboriosum: Ja nuns hons pris (Roy Richart, «Richard Hearthlion»), Part II.

Anonymous, Modo Antiquo, Bettina Hoffmann

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III. Passagium Laboriosum: Desolata mater , Que nutritos , Filios enutrivi (from Roman de Fauvel) III. Passagium Laboriosum: Desolata mater , Que nutritos , Filios enutrivi (from Roman de Fauvel)

Anonymous, Modo Antiquo, Bettina Hoffmann

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III. Passagium Laboriosum: Maugré tous sainz et maugré dieu ausi (Huon d'Oisi) III. Passagium Laboriosum: Maugré tous sainz et maugré dieu ausi (Huon d'Oisi)

Anonymous, Modo Antiquo, Bettina Hoffmann

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III. Passagium Laboriosum: Congregati sunt (Gregorian Chant) III. Passagium Laboriosum: Congregati sunt (Gregorian Chant)

Anonymous, Modo Antiquo, Bettina Hoffmann

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III. Passagium Laboriosum: La Quarte Estampie Royal (Anon.) III. Passagium Laboriosum: La Quarte Estampie Royal (Anon.)

Anonymous, Modo Antiquo, Bettina Hoffmann

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III. Passagium Laboriosum: In gotes namen fara wir (Lutheran Choral) III. Passagium Laboriosum: In gotes namen fara wir (Lutheran Choral)

Anonymous, Modo Antiquo, Bettina Hoffmann

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III. Passagium Laboriosum: Chanterai por mon coraige (Guiot de Dijon) III. Passagium Laboriosum: Chanterai por mon coraige (Guiot de Dijon)

Anonymous, Modo Antiquo, Bettina Hoffmann

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III. Passagium Laboriosum: Diro satis percussus vulnere (Riccardo di San Germano) - Tristan's Lament [Anon.] III. Passagium Laboriosum: Diro satis percussus vulnere (Riccardo di San Germano) - Tristan's Lament [Anon.]

Anonymous, Modo Antiquo, Bettina Hoffmann

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III. Passagium Laboriosum: Nus ne porroit de mauvese reson (Anon.) III. Passagium Laboriosum: Nus ne porroit de mauvese reson (Anon.)

Anonymous, Modo Antiquo, Bettina Hoffmann

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IV. Hierosolyma Caelestis: Ierusalem mirabilis (Hymn) IV. Hierosolyma Caelestis: Ierusalem mirabilis (Hymn)

Anonymous, Modo Antiquo, Bettina Hoffmann

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IV. Hierosolyma Caelestis: Nû alrêst lebe ich mir werde (Walter von der Vogelweide) IV. Hierosolyma Caelestis: Nû alrêst lebe ich mir werde (Walter von der Vogelweide)

Anonymous, Modo Antiquo, Bettina Hoffmann

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IV. Hierosolyma Caelestis: nomen a solemnibus (Anon., Carmina Burana 52) IV. Hierosolyma Caelestis: nomen a solemnibus (Anon., Carmina Burana 52)

Anonymous, Modo Antiquo, Bettina Hoffmann

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English Dances: Ductia manuscript London, British Library, Harley 978, f. 8v-9r English Dances: Ductia manuscript London, British Library, Harley 978, f. 8v-9r

Anonymous, Modo Antiquo, Bettina Hoffmann

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English Dances: Petrone manuscript London, British Library, add. 28550 (Robertsbridge Codex), f. 43v English Dances: Petrone manuscript London, British Library, add. 28550 (Robertsbridge Codex), f. 43v

Anonymous, Modo Antiquo, Bettina Hoffmann

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English Dances: nota manuscript, Oxford, Bodleian Library, Douce 139 English Dances: nota manuscript, Oxford, Bodleian Library, Douce 139

Anonymous, Modo Antiquo, Bettina Hoffmann

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English Dances: Ductia manuscript London, British Library, Harley 978, f. 9r, I English Dances: Ductia manuscript London, British Library, Harley 978, f. 9r, I

Anonymous, Modo Antiquo, Bettina Hoffmann

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English Dances: Ductia manuscript London, British Library, Harley 978, f. 9r, II English Dances: Ductia manuscript London, British Library, Harley 978, f. 9r, II

Anonymous, Modo Antiquo, Bettina Hoffmann

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English Dances: Fragment manuscript London, British Library, add. 28550 (Robertsbridge Codex), f. 43r English Dances: Fragment manuscript London, British Library, add. 28550 (Robertsbridge Codex), f. 43r

Anonymous, Modo Antiquo, Bettina Hoffmann

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English Dances: Ductia manuscript London, British Library, add. 28550 (Robertsbridge Codex), f. 43r English Dances: Ductia manuscript London, British Library, add. 28550 (Robertsbridge Codex), f. 43r

Anonymous, Modo Antiquo, Bettina Hoffmann

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French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Prime Estampie Royal French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Prime Estampie Royal

Anonymous, Modo Antiquo, Bettina Hoffmann

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French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seconde Estampie Royal French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seconde Estampie Royal

Anonymous, Modo Antiquo, Bettina Hoffmann

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French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Tierche Estampie Roial French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Tierche Estampie Roial

Anonymous, Modo Antiquo, Bettina Hoffmann

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French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quarte Estampie Royal French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quarte Estampie Royal

Anonymous, Modo Antiquo, Bettina Hoffmann

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French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quinte Estampie Real French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quinte Estampie Real

Anonymous, Modo Antiquo, Bettina Hoffmann

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French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seste Estampie Real French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seste Estampie Real

Anonymous, Modo Antiquo, Bettina Hoffmann

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French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Septime Estampie Real French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Septime Estampie Real

Anonymous, Modo Antiquo, Bettina Hoffmann

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French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Uitime Estampie Real French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Uitime Estampie Real

Anonymous, Modo Antiquo, Bettina Hoffmann

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French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: Dansse Real French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: Dansse Real

Anonymous, Modo Antiquo, Bettina Hoffmann

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French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: (without title) French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: (without title)

Anonymous, Modo Antiquo, Bettina Hoffmann

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French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: Danse French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: Danse

Anonymous, Modo Antiquo, Bettina Hoffmann

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Ghaetta Ghaetta

Anonymous, Modo Antiquo, Bettina Hoffmann

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Saltarello (2) Saltarello (2)

Anonymous, Modo Antiquo, Bettina Hoffmann

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La Manfredina, Rotta della Manfredina La Manfredina, Rotta della Manfredina

Anonymous, Modo Antiquo, Bettina Hoffmann

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Chançoneta Tedescha (2) Chançoneta Tedescha (2)

Anonymous, Modo Antiquo, Bettina Hoffmann

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Isabella Isabella

Anonymous, Modo Antiquo, Bettina Hoffmann

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Saltarello (4) Saltarello (4)

Anonymous, Modo Antiquo, Bettina Hoffmann

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Saltarello (3) Saltarello (3)

Anonymous, Modo Antiquo, Bettina Hoffmann

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Chançoneta Tedescha (1) Chançoneta Tedescha (1)

Anonymous, Modo Antiquo, Bettina Hoffmann

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Chançoneta Tedescha (4) Chançoneta Tedescha (4)

Anonymous, Modo Antiquo, Bettina Hoffmann

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Principio di virtù Principio di virtù

Anonymous, Modo Antiquo, Bettina Hoffmann

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Dança amorosa, suo Troto Dança amorosa, suo Troto

Anonymous, Modo Antiquo, Bettina Hoffmann

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Chominiciamento di Gioia Chominiciamento di Gioia

Anonymous, Modo Antiquo, Bettina Hoffmann

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Chançoneta Tedescha (3) Chançoneta Tedescha (3)

Anonymous, Modo Antiquo, Bettina Hoffmann

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Trotto Trotto

Anonymous, Modo Antiquo, Bettina Hoffmann

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Bel fiore dança Bel fiore dança

Anonymous, Modo Antiquo, Bettina Hoffmann

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Lamento di Tristano, sua Rotta Lamento di Tristano, sua Rotta

Anonymous, Modo Antiquo, Bettina Hoffmann

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