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Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486
Discography
The Impresario, K. 486: Overture
Wolfgang Amadeus Mozart, Martin Pearlman, Boston Baroque
The Impresario, K. 486: Da schlägt die Abschiedsstunde
Wolfgang Amadeus Mozart, Martin Pearlman, Boston Baroque, Cyndia Sieden
The Impresario, K. 486: Rondo. Bester Jüngling!
Wolfgang Amadeus Mozart, Martin Pearlman, Boston Baroque, Sharon Baker
The Impresario, K. 486: Trio. Ich bin die erste Sängerin!
Wolfgang Amadeus Mozart, Martin Pearlman, Boston Baroque, John Aler, Sharon Baker, Cyndia Sieden
The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre
Wolfgang Amadeus Mozart, Martin Pearlman, Boston Baroque, John Aler, Kevin Deas, Sharon Baker, Cyndia Sieden
The Beneficent Dervish: Sinfonia
Martin Pearlman, Boston Baroque, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act I: Duet. Hier müssen wir uns beide trennen
Martin Pearlman, Boston Baroque, John Aler, Alan Ewing, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act I: Aria. Welche nie empfund'ne Freude
Martin Pearlman, Boston Baroque, John Aler, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act I: Duet. Liebes Weib
Martin Pearlman, Boston Baroque, Kevin Deas, Deanne Meek, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act I: Aria. Der Drache ist den armen Männern gut
Martin Pearlman, Boston Baroque, Kevin Deas, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act I: Chorus. O Abdallah
Martin Pearlman, Boston Baroque, Alan Ewing, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act I: March
Martin Pearlman, Boston Baroque, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act II: Chorus. Die Männer zu fesseln
Martin Pearlman, Boston Baroque, Sharon Baker, Deanne Meek, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act II: Wind Music
Martin Pearlman, Boston Baroque, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act II: Aria. Sofrano, fühltest du mein Leiden
Martin Pearlman, Boston Baroque, Sharon Baker, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act II: March
Martin Pearlman, Boston Baroque, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act II: Ballad. Ein Jüngling frisch wie Milch
Martin Pearlman, Boston Baroque, Sharon Baker, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act II: The Sea Battle
Martin Pearlman, Boston Baroque, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act III: So bald der Mann ist allzu Gut
Martin Pearlman, Boston Baroque, Alan Ewing, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act III: Duet. Ach, die Teure liebet mich!
Martin Pearlman, Boston Baroque, John Aler, Sharon Baker, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act III: Recitative. Sofrano! Mein Sohn!
Martin Pearlman, Boston Baroque, Alan Ewing, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act III: Chorus. Vino pani
Martin Pearlman, Boston Baroque, Alan Ewing, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act III: Duet. Daß Männer unsre Sklaven sind
Martin Pearlman, Boston Baroque, Sharon Baker, Deanne Meek, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
The Beneficent Dervish, Act III: Aria. Bald wird auch dieser Traum
Martin Pearlman, Boston Baroque, Alan Ewing, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl
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