Discography
Symphony No. 1 in D Major: I. Langsam, schleppend – Immer sehr gemächlich
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 1 in D Major: II. Kräftig bewegt, doch nicht zu schnell
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 1 in D Major: IV. Stürmisch bewegt
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 2 "Resurrection": I. Allegro maestoso
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 2 "Resurrection": II. Andante moderato
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 2 "Resurrection": III. Scherzo. In ruhig fliessender Bewegung
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 2 "Resurrection": IV. Urlicht. O Röschen rot!
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Marilyn Horne
Symphony No. 2 "Resurrection": V. Finale: a-d. Im Tempo des Scherzos... Wieder sehr breit
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 2 "Resurrection": V. Finale: e-f. Maestoso. Sehr zurückhaltend – Wieder zurückhaltend –
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 2 "Resurrection": V. Finale: g. Sehr langsam und gedehnt –
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 2 "Resurrection": V. Finale: h-i. Aufersteh'n, ja aufersteh'n wirst du (Langsam. Misterioso)
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Kiri Te Kanawa, Marilyn Horne, Tanglewood Festival Chorus
Symphony No. 2 "Resurrection": V. Finale: j-k. O glaube, mein Herz, o glaube (Etwas bewegter)
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Kiri Te Kanawa, Tanglewood Festival Chorus
Symphony No. 6 In A Minor: 1. Allegro energico, ma non troppo. Heftig aber Markig
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 6 In A Minor: 2. Scherzo (Wuchtig)
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 6 In A Minor: 3. Andante moderato
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 6 In A Minor: 4. Finale (Allegro moderato)
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 3 in D minor - Part 1: 1. Kräftig. Entschieden
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 3 in D Minor / Pt. 2: 2. Tempo di Menuetto. Sehr mässig
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 3 in D minor - Part 2: 3. Comodo. Scherzando. Ohne Hast
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 3 in D minor - Part 2: 4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht'
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Jessye Norman
Symphony No. 3 in D minor - Part 2: 5. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel"
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Jessye Norman, The American Boychoir, Tanglewood Festival Chorus
Symphony No. 3 in D minor - Part 2: 6. Langsam. Ruhevoll. Empfunden
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 4: I. Bedächtig, nicht eilen
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 4: III. Ruhevoll, poco adagio
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 4: IV. Wir geniessen die Himmlischen Freuden. Sehr behaglich
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Kiri Te Kanawa
Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 5: IV. Adagietto. Sehr langsam
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 5: V. Rondo-Finale. Allegro
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 7: I. Langsam – Allegro risoluto, ma non troppo
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 7: II. Nachtmusik. Allegro moderato
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 7: III. Scherzo. Schattenhaft
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 7: IV. Nachtmusik. Andante amoroso
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n - Live at Alte Oper, Frankfurt, 1988
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Jessye Norman
Kindertotenlieder: No. 2, Nun seh' ich wohl, warum so dunkle Flammen - Live at Alte Oper, Frankfurt, 1988
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Jessye Norman
Kindertotenlieder: No. 3, Wenn dein Mütterlein - Live at Alte Oper, Frankfurt, 1988
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Jessye Norman
Kindertotenlieder: No. 4, Oft denk' ich, sie sind nur ausgegangen - Live at Alte Oper, Frankfurt, 1988
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Jessye Norman
Kindertotenlieder: No. 5, In diesem Wetter - Live at Alte Oper, Frankfurt, 1988
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Jessye Norman
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: Hymnus: Veni, creator spiritus
Seiji Ozawa, Benjamin Luxon, Boston Symphony Orchestra, Gustav Mahler, Florence Quivar, Kenneth Riegel, Judith Blegen, Deborah Sasson, Gwynne Howell, Tanglewood Festival Chorus, Faye Robinson, Lorna Myers, Boston Boys Choir, James Christie
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: I. Poco adagio – II. Più mosso. Allegro moderato
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: III-VII. Waldung, sie schwankt heran... Jene Rosen
Seiji Ozawa, Benjamin Luxon, Boston Symphony Orchestra, Gustav Mahler, Gwynne Howell, Tanglewood Festival Chorus, Boston Boys Choir
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: VIII. Uns bleibt ein Erdenrest
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Florence Quivar, Kenneth Riegel, Tanglewood Festival Chorus, Boston Boys Choir
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: XI.-XVa Dir, der Unberührbaren... Komm!
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Florence Quivar, Judith Blegen, Deborah Sasson, Tanglewood Festival Chorus, Faye Robinson, Lorna Myers, Boston Boys Choir
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: XVb. Blicket auf zum Retterblick
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler, Kenneth Riegel, Tanglewood Festival Chorus, Boston Boys Choir
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: XVI. Alles Vergängliche
Seiji Ozawa, Benjamin Luxon, Boston Symphony Orchestra, Gustav Mahler, Florence Quivar, Kenneth Riegel, Judith Blegen, Deborah Sasson, Gwynne Howell, Tanglewood Festival Chorus, Faye Robinson, Lorna Myers, Boston Boys Choir, James Christie
Symphony No. 9 in D: 1a. Andante comodo -
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 9 in D: 1b. - Mit Wut (Allegro risoluto) -
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 9 in D: 1c. -Tempo I
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 9 in D: 2a. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 9 in D: 2b. -Poco più mosso subito -
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 9 in D: 2c. - Ländler, ganz langsam
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 9 in D: 3a. Rondo. Burleske (Allegro assai. Sehr trotzig -
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
Symphony No. 9 in D: 3b. - Presto
Seiji Ozawa, Boston Symphony Orchestra, Gustav Mahler
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