Discography
Slavonic Dances, Op. 72, B. 147 (Version for Orchestra): No. 1 in B Major (Excerpt)
Antonín Dvořák, Slovak Philharmonic Orchestra, Zdeněk Košler
Bits and pieces are all we may know about the music of Antonín Dvořák
Davinia Caddy, Nicholas Boulton
10 Biblical Songs, Op. 99, B. 185: No. 4, Hospodin jest můj pastýř (Excerpt)
Antonín Dvořák, Manuel Lange, Iwona Sakowicz
The fourth of Dvořák's Ten Biblical Songs, titled "The Lord is my shepherd" and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible
Davinia Caddy, Nicholas Boulton
10 Biblical Songs, Op. 99, B. 185: No. 6, Slyš, ó Bože, volání mé (Excerpt)
Antonín Dvořák, Manuel Lange, Iwona Sakowicz
Antonín Leopold Dvořák was born on 8 September 1841 in the village of Nelahozeves, near Kralupy, in Bohemia, approximately 28km north of Prague
Davinia Caddy, Nicholas Boulton
Symphony No. 6 in G Major, Op. 116 "Historische Symphonie im Styl und Geschmack vier verschiedener Zeitabschnitte": IV. Allerneueste Periode, 1840. Allegro vivace (Excerpt)
Louis Spohr, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote…
Davinia Caddy, Nicholas Boulton
Symphony No. 1 in C Minor, B. 9 "The Bells of Zlonice": II. Adagio molto (Excerpt)
Antonín Dvořák, Stephen Gunzenhauser, Slovak Philharmonic Orchestra
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition…
Davinia Caddy, Nicholas Boulton
Symphony No. 1 in C Minor, B. 9 "The Bells of Zlonice": I. Maestoso - Allegro (Excerpt)
Antonín Dvořák, Stephen Gunzenhauser, Slovak Philharmonic Orchestra
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife…
Davinia Caddy, Nicholas Boulton
String Quartet No. 4 in E Minor, B. 19: I. Assai con moto ed energico (Excerpt)
Antonín Dvořák, Fine Arts Quartet
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal
Davinia Caddy, Nicholas Boulton
Král a uhlíř, B. 21, Act I Scene 9: Jaký zvuk to jest? (Excerpt)
Antonín Dvořák, Gerd Albrecht, Cologne West German Radio Symphony Orchestra, Cologne West German Radio Chorus, Michelle Breedt, Peter Mikulas, Dalibor Jenis, Prague Chamber Chorus
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Davinia Caddy, Nicholas Boulton
Moravské dvojzpěvy, Op. 32, B. 62: No. 2, Veleť vtáčku (Excerpt)
Antonín Dvořák, Michaela Rózsa Růžičková, Hana Dobešová, Ladislava Vondráčková
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Davinia Caddy, Nicholas Boulton
Slavonic Dances, Op. 46, B. 83: No. 1 in C Major (Excerpt)
Antonín Dvořák, Slovak Philharmonic Orchestra, Zdeněk Košler
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic "tourist nationalism" (to quote a recent historian), listeners in Dvořák's time thought the very opposite…
Davinia Caddy, Nicholas Boulton
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season
Davinia Caddy, Nicholas Boulton
Stabat Mater, Op. 58, B. 71 (1876 Version): Stabat mater dolorosa (Excerpt)
Antonín Dvořák, Washington Orchestra, Robert Shafer
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall
Davinia Caddy, Nicholas Boulton
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I (Excerpt)
Antonín Dvořák, Ilya Kaler, Alon Goldstein, Amit Peled
In 1891, the same year Dvořák completed the "Dumky" Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory
Davinia Caddy, Nicholas Boulton
Te Deum, Op. 103, B. 176: Te Deum laudamus (Excerpt)
Antonín Dvořák, Antoni Wit, Orfeón Pamplonés, Orquesta Sinfónica de Navarra
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron…
Davinia Caddy, Nicholas Boulton
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Scherzo. Molto vivace (Excerpt)
Antonín Dvořák, Stephen Gunzenhauser, Slovak Philharmonic Orchestra
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Davinia Caddy, Nicholas Boulton
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Andante - Allegro vivo (Excerpt)
Antonín Dvořák, Royal Philharmonic Orchestra, Maria Kliegel, Michael Halasz
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations…
Davinia Caddy, Nicholas Boulton
The Water Goblin, Op. 107, B. 195 (Excerpt)
Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit
During his final years, Dvořák became the recipient of various honours…
Davinia Caddy, Nicholas Boulton
Armida, Op. 115, B. 206, Act I Scene 1: Jak z dervišových prstů řinou (Excerpt)
Antonín Dvořák, Czech Philharmonic, Gerd Albrecht, Prague Chamber Chorus, Roman Janál
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