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Dvorák, Elgar and Schumann: Cello Concertos - R. Strauss: Don Quixote
Discography
Cello Concerto In E Minor, Op. 85: I. Adagio – Moderato
Edward Elgar, St. Petersburg State Symphony Orchestra, Kim Cook, Arkady Shteinlucht
Cello Concerto In E Minor, Op. 85: II. Lento – Allegro molto
Richard Strauss, St. Petersburg State Symphony Orchestra, Kim Cook, Arkady Shteinlucht
Cello Concerto In E Minor, Op. 85: III. Adagio
Edward Elgar, St. Petersburg State Symphony Orchestra, Kim Cook, Arkady Shteinlucht
Cello Concerto In E Minor, Op. 85: IV. Allegro – Moderato – Allegro ma non troppo
Edward Elgar, St. Petersburg State Symphony Orchestra, Kim Cook, Arkady Shteinlucht
Don Quixote, Op. 35: I. Introduktion. Mäßiges Zeitmaß. Don Quixote, immersed in the study of chivalric romances, loses his reason and decides to travel the world as a knight errant.
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: II. Thema. Mäßig. Don Quixote, the Knight of the Sorrowful Countenance; Sancho Panza.
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: III. Variation I. Gemächlich. They ride forth, under the sign of the beautiful Dulcinea of Toboso; Battle with the windmills.
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: IV. Variation II. Kriegerisch. Victorious struggle against the army of the great Emperor Alifanfaron. (The Battle with the Sheep)
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: V. Variation III. Mäßiges Zeitmaß. Conversation: Sancho’s questions, postulates, and adages; Don Quixote’s indoctrination, placation, and promises.
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: VI. Variation IV. Etwas breiter. Battle with the penitents.
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: VII. Variation V. Sehr langsam. Don Quixote on the night watch. Sighs, pleas, and protestations to Dulcinea.
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: VIII. Variation VI. Schnell. Meeting with Dulcinea.
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: IX. Variation VII. Ein wenig ruhiger als vorher. The ride through the air.
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: X. Variation VIII. Gemächlich. Memorable adventure on the enchanted boat.
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: XI. Variation IX. Schnell und stürmisch. Battle with the two sorcerers.
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: XII. Variation X. Viel breiter. Don Quixote is defeated by the Knight of the White Moon; the journey home; Don Quixote’s mind emerges bright and clear from the shadow of madness.
Richard Strauss, St. Petersburg State Symphony Orchestra, Bohuslav Martinů Philharmonic, Gerardo Edelstein, Kim Cook
Don Quixote, Op. 35: XIII. Finale. Sehr ruhig. Don Quixote’s death.
Richard Strauss, St. Petersburg State Symphony Orchestra, Gerardo Edelstein, Kim Cook
Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell
Robert Schumann, St. Petersburg State Symphony Orchestra, Kim Cook, Arkady Shteinlucht
Cello Concerto in A Minor, Op. 129: II. Langsam
Robert Schumann, St. Petersburg State Symphony Orchestra, Kim Cook, Arkady Shteinlucht
Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft
Robert Schumann, St. Petersburg State Symphony Orchestra, Kim Cook, Arkady Shteinlucht
Cello Concerto in B Minor, Op. 104: I. Allegro
Antonín Dvořák, Bohuslav Martinů Philharmonic, Gerardo Edelstein, Kim Cook
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