Discography
    
    4 Orchestral Pieces, Sz. 51: I. Preludio
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    4 Orchestral Pieces, Sz. 51: II. Scherzo. Allegro
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Concerto for Orchestra, Sz. 116: I. Introduction. Andante non troppo – Allegro vivace
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Dance Suite, Sz. 77: I. Moderato
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Dance Suite, Sz. 77: II. Allegro molto
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Dance Suite, Sz. 77: III. Allegro vivace
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Dance Suite, Sz. 77: IV. Molto tranquillo
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Dance Suite, Sz. 77: VI. Finale. Allegro
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    2 Pictures, Sz. 46: I. In Full Flower
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    2 Pictures, Sz. 46: II. Village Dance
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Hungarian Sketches, Sz. 97: I. Evening in Transylvania
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Hungarian Sketches, Sz. 97: II. Bear Dance
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Hungarian Sketches, Sz. 97: III. Melody
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Hungarian Sketches, Sz. 97: IV. Slightly Tipsy
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Hungarian Sketches, Sz. 97: V. Swineherd's Dance
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Divertimento for Strings, Sz. 113: I. Allegro non troppo
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Divertimento for Strings, Sz. 113: II. Molto adagio
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Divertimento for Strings, Sz. 113: III. Allegro assai
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Miraculous Mandarin, Sz. 73: Introduction. Allegro
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Miraculous Mandarin, Sz. 73: 1st Decoy Game. Moderato
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Miraculous Mandarin, Sz. 73: 2nd Decoy Game
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Miraculous Mandarin, Sz. 73: 3rd Decoy Game. Sostenuto
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Miraculous Mandarin, Sz. 73: The Mandarin Enters. Maestoso
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Miraculous Mandarin, Sz. 73: The Girl Sinks Down to Embrace Him. Allegro
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Miraculous Mandarin, Sz. 73: The Tramps Leap Out. Sempre vivo
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin's Head Appears. Adagio
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Miraculous Mandarin, Sz. 73: Again, the Frightened Tramps Discuss How to Eliminate the Mandarin. Agitato
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Miraculous Mandarin, Sz. 73: The Body of the Mandarin Begins to Glow with a Greenish Blue Light. Molto moderato
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, Chicago Symphony Chorus, Duain Wolfe
    
    The Miraculous Mandarin, Sz. 73: She Resists No Longer – They Embrace. Più mosso – Vivo
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Music for Strings, Percussion & Celesta, Sz. 106: I. Andante tranquillo
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Music for Strings, Percussion & Celesta, Sz. 106: IV. Allegro molto
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Cantata profana, Sz. 94: I. Molto moderato
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, John Aler, John Tomlinson, Chicago Symphony Chorus
    
    Cantata profana, Sz. 94: II. Andante
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, John Aler, John Tomlinson, Chicago Symphony Chorus
    
    Cantata profana, Sz. 94: III. Moderato
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, John Aler, John Tomlinson, Chicago Symphony Chorus
    
    The Wooden Prince, Sz. 60: Introduction
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Wooden Prince, Sz. 60: 1st Dance. Dance of the Princess in the Forest
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Wooden Prince, Sz. 60: 2nd Dance. Dance of the Trees
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Wooden Prince, Sz. 60: 3rd Dance. Dance of the Waves
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Wooden Prince, Sz. 60: 4th Dance. Dance of the Princess with the Wooden Doll
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Wooden Prince, Sz. 60: 5th Dance. The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Wooden Prince, Sz. 60: 6th Dance. She Tries to Attract the Real Prince with Her Seductive Dancing
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    The Wooden Prince, Sz. 60: 7th Dance. Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra
    
    Piano Concerto No. 1, Sz. 83: I. Allegro moderato – Allegro
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, Krystian Zimerman
    
    Piano Concerto No. 1, Sz. 83: II. Andante
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, Krystian Zimerman
    
    Piano Concerto No. 1, Sz. 83: III. Allegro molto
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, Krystian Zimerman
    
    Piano Concerto No. 2, Sz. 95: I. Allegro
    Leif Ove Andsnes, Béla Bartók, Berliner Philharmoniker, Pierre Boulez
    
    Piano Concerto No. 2, Sz. 95: II. Adagio – Più adagio – Presto
    Leif Ove Andsnes, Béla Bartók, Berliner Philharmoniker, Pierre Boulez
    
    Piano Concerto No. 2, Sz. 95: III. Allegro molto
    Leif Ove Andsnes, Béla Bartók, Berliner Philharmoniker, Pierre Boulez
    
    Piano Concerto No. 3, Sz. 119: I. Allegretto
    London Symphony Orchestra, Béla Bartók, Pierre Boulez, Hélène Grimaud
    
    Piano Concerto No. 3, Sz. 119: II. Adagio religioso
    London Symphony Orchestra, Béla Bartók, Pierre Boulez, Hélène Grimaud
    
    Piano Concerto No. 3, Sz. 119: III. Allegro vivace
    London Symphony Orchestra, Béla Bartók, Pierre Boulez, Hélène Grimaud
    
    Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: I. Assai lento – Allegro molto
    London Symphony Orchestra, Béla Bartók, Pierre Boulez, Pierre-Laurent Aimard, Tamara Stefanovich, Neil Percy, Nigel Thomas
    
    Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: II. Lento ma non troppo
    London Symphony Orchestra, Béla Bartók, Pierre Boulez, Pierre-Laurent Aimard, Tamara Stefanovich, Neil Percy, Nigel Thomas
    
    Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: III. Allegro ma non troppo
    London Symphony Orchestra, Béla Bartók, Pierre Boulez, Pierre-Laurent Aimard, Tamara Stefanovich, Neil Percy, Nigel Thomas
    
    Violin Concerto No. 1, Sz. 36: I. Andante sostenuto
    Béla Bartók, Berliner Philharmoniker, Pierre Boulez, Gidon Kremer
    
    Violin Concerto No. 1, Sz. 36: II. Allegro giocoso
    Béla Bartók, Berliner Philharmoniker, Pierre Boulez, Gidon Kremer
    
    Viola Concerto, Sz. 120 (Compl. Serly): I. Moderato – Lento parlando
    Béla Bartók, Berliner Philharmoniker, Pierre Boulez, Yuri Bashmet
    
    Viola Concerto, Sz. 120 (Compl. Serly): II. Adagio religioso – Allegretto
    Béla Bartók, Berliner Philharmoniker, Pierre Boulez, Yuri Bashmet
    
    Viola Concerto, Sz. 120 (Compl. Serly): III. Allegro vivace
    Béla Bartók, Berliner Philharmoniker, Pierre Boulez, Yuri Bashmet
    
    Violin Concerto No. 2, Sz. 112: I. Allegro non troppo
    Béla Bartók, Pierre Boulez, Gil Shaham, Chicago Symphony Orchestra
    
    Violin Concerto No. 2, Sz. 112: II. Andante tranquillo
    Béla Bartók, Pierre Boulez, Gil Shaham, Chicago Symphony Orchestra
    
    Violin Concerto No. 2, Sz. 112: III. Allegro molto
    Béla Bartók, Pierre Boulez, Gil Shaham, Chicago Symphony Orchestra
    
    Rhapsody No. 1 for Violin and Orchestra, Sz. 87: I. Lassú. Moderato
    Béla Bartók, Pierre Boulez, Gil Shaham, Chicago Symphony Orchestra
    
    Rhapsody No. 1 for Violin and Orchestra, Sz. 87: II. Friss. Allegretto moderato
    Béla Bartók, Pierre Boulez, Gil Shaham, Chicago Symphony Orchestra
    
    Rhapsody No. 2 for Violin and Orchestra, Sz. 90: I. Lassú. Moderato
    Béla Bartók, Pierre Boulez, Gil Shaham, Chicago Symphony Orchestra
    
    Rhapsody No. 2 for Violin and Orchestra, Sz. 90: II. Friss. Allegro moderato
    Béla Bartók, Pierre Boulez, Gil Shaham, Chicago Symphony Orchestra
    
    Bluebeard's Castle, Sz. 48: Prologue – Opening Scene: a. Megérkeztünk
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, László Polgár, Jessye Norman
    
    Bluebeard's Castle, Sz. 48: Opening Scene: b-c. Ez a Kékszakállú véra?
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, László Polgár, Jessye Norman
    
    Bluebeard's Castle, Sz. 48: Opening Scene: d-e. Nagy csukott ajtókat
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, László Polgár, Jessye Norman
    
    Bluebeard's Castle, Sz. 48: Door 1. The Torture Chamber. Jaj! Mit látsz? Mit látsz? Láncok, kések
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, László Polgár, Jessye Norman
    
    Bluebeard's Castle, Sz. 48: Door 2. The Armory. Mit látsz? Százkegyetlen szörnyü fegyver
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, László Polgár, Jessye Norman
    
    Bluebeard's Castle, Sz. 48: Door 3. The Treasury. Oh, Be sok kincs! Oh, Be sok kincs!
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, László Polgár, Jessye Norman
    
    Bluebeard's Castle, Sz. 48: Door 4. The Garden. Oh! virágok! Oh! ilatoskert!
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, László Polgár, Jessye Norman
    
    Bluebeard's Castle, Sz. 48: Door 5. The Kingdom. Ah! Lásdez az én birodalmam
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, László Polgár, Jessye Norman
    
    Bluebeard's Castle, Sz. 48: Door 6. The Pool of Tears: a. Csendes fehér tavat látok
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, László Polgár, Jessye Norman
    
    Bluebeard's Castle, Sz. 48: Door 6. The Pool of Tears: b. Az utolsót nem nyitom ki
    Béla Bartók, Pierre Boulez, Chicago Symphony Orchestra, László Polgár, Jessye Norman
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